He filmed the same shots again and again, hoping that in the editing room he could find exactly the right nuance in her facial expression. However, in their biography of Dreyer, Jean and Dale Drum say that these stories are based only on rumour and that "there is no evidence that Dreyer could be called a sadist". They quote onlookers who described Dreyer's working relationship with Falconetti: Initially in the production process, Dreyer and Falconetti would watch the rushes of a single scene together, seven or eight times, until Dreyer could pick out a little bit, maybe a few feet, where the effect was what they wanted, and when they reshot the scene, she could play it without the least inhibition. Just those few feet of film had inspired her.
Later, Falconetti became able to play scenes only from Dreyer's explanations, without the need even for rehearsal. After filming Joan of Arc, Falconetti continued with her career as producer of light stage comedies, appearing with the Comadie-Fransaise. During World War II, she escaped from France first to Switzerland, Brazil, and then left for Buenos Aires, Argentina. Falconetti had suffered from mental illness all her life, and in 1946 she died in Buenos Aires, Argentina, an apparent suicide, by a self-imposed restrictive diet after having become significantly overweight.Her remains are interred at Montmartre Cemetery in Paris, section 16 (her grave site is not listed on official maps). Her grandson Garard Falconetti also became an actor.
Jim Wiggins accumulated the most unique and valuable autograph collection over a period of 70-plus years. He obtained his collection either in person or by writing to persons of fame and notoriety.Comes with a full Letter of Authenticity from Todd Mueller Authentics.